The idea was to build such a musical dramaturgy (with individual sonority - with sounds generated from the paintings) that would merge with the visuals of a painting and harmonize with the series of paintings, not only with consonant sounds, but also with dissonant sounds. Harmonization of imbalance - where there is no specific musical development, but in a limited time it gives a full-fledged audio picture. We started filling the work with audio material to imitate the vibrations that exist in nature on these specific paintings. The World vibrates, is not it? It also resonates accordingly. For expressive methods, I used specific synthesizers, which can capture sensorics, rhythms of touch and then transform them into sounds. In this way, I syncretized nature and technology and arranged sound chaos in a certain order as required by individual specific paintings. Each work has its own individual sound expression. According to mystical teachings, the world moves to a new dimension, where high vibrations are the vital axis of the world, and any kind of human connection with it creates magical possibilities. My musical inspiration has become all these things in harmony.